Catalogue Search | MBRL
Are you sure you want to remove the book from the shelf?
{{itemTitle}}
462
result(s) for
"Mexican Americans Fiction."
Sort by:
The house of broken angels : a novel
\"In Urrea's exuberant new novel of Mexican-American life, 70-year-old patriarch Big Angel de la Cruz is dying, and he wants to have one last birthday blowout. Unfortunately, his 100-year-old mother, America, dies the week of his party, so funeral and birthday are celebrated one day apart. The entire contentious, riotous de la Cruz clan descends on San Diego for the events--\"High rollers and college students, prison veternaos and welfare mothers, happy kids and sad old-timers and pinches gringos and all available relatives.\" Not to mention figurative ghosts of the departed and an unexpected guest with a gun. Taking place over the course of two days, with time out for an extended flashback to Big Angel's journey from La Paz to San Diego in the 1960s, the narrative follows Big Angel and his extended familia as they air old grievances, initiate new romances, and try to put their relationships in perspective. Of the large cast, standouts include Perla, Big Angel's wife, the object of his undimmed affection; Little Angel, his half-Anglo half-brother, who strains to remain aloof; and Lalo, his son, trailing a lifetime of bad decisions. Urrea (The Hummingbird's Daughter) has written a vital, vibrant book about the immigrant experience that is a messy celebration of life's common joys and sorrows\" -- Publisher's weekly.
Book
Brown Gumshoes
Popular fiction, with its capacity for diversion, can mask important cultural observations within a framework that is often overlooked in the academic world. Works thought to be merely “escapist” can often be more seriously mined for revelations regarding the worlds they portray, especially those of the disenfranchised. As detective fiction has slowly earned critical respect, more authors from minority groups have chosen it as their medium. Chicana/o authors, previously reluctant to write in an underestimated genre that might further marginalize them, have only entered the world of detective fiction in the past two decades. In this book, the first comprehensive study of Chicano/a detective fiction, Ralph E. Rodriguez examines the recent contributions to the genre by writers such as Rudolfo Anaya, Lucha Corpi, Rolando Hinojosa, Michael Nava, and Manuel Ramos. Their works reveal the struggles of Chicanas/os with feminism, homosexuality, familia, masculinity, mysticism, the nationalist subject, and U.S.-Mexico border relations. He maintains that their novels register crucial new discourses of identity, politics, and cultural citizenship that cannot be understood apart from the historical instability following the demise of the nationalist politics of the Chicana/o movement of the 1960s and 1970s. In contrast to that time, when Chicanas/os sought a unified Chicano identity in order to effect social change, the 1980s, 1990s, and 2000s have seen a disengagement from these nationalist politics and a new trend toward a heterogeneous sense of self. The detective novel and its traditional focus on questions of knowledge and identity turned out to be the perfect medium in which to examine this new self.
eBook
A User's Guide to Postcolonial and Latino Borderland Fiction
Why are so many people attracted to narrative fiction? How do authors in this genre reframe experiences, people, and environments anchored to the real world without duplicating \"real life\"? In which ways does fiction differ from reality? What might fictional narrative and reality have in common-if anything?
By analyzing novels such as Arundhati Roy'sThe God of Small Things, Amitav Ghosh'sThe Glass Palace, Zadie Smith'sWhite Teeth, and Hari Kunzru'sThe Impressionist, along with selected Latino comic books and short fiction, this book explores the peculiarities of the production and reception of postcolonial and Latino borderland fiction. Frederick Luis Aldama uses tools from disciplines such as film studies and cognitive science that allow the reader to establish how a fictional narrative is built, how it functions, and how it defines the boundaries of concepts that appear susceptible to limitless interpretations.
Aldama emphasizes how postcolonial and Latino borderland narrative fiction authors and artists use narrative devices to create their aesthetic blueprints in ways that loosely guide their readers' imagination and emotion. InA User's Guide to Postcolonial and Latino Borderland Fiction, he argues that the study of ethnic-identified narrative fiction must acknowledge its active engagement with world narrative fictional genres, storytelling modes, and techniques, as well as the way such fictions work to move their audiences.
eBook
Village : a novel
This rollicking ride through a single day in the ill-fated village of San Marcos will leave you reeling with laughter, even as you cringe at the misadventures of the hapless Porter Clapp and his pitiable wife, Steph; the jaundiced Onesimo Moro and his ever-watchful spouse, Isabel; and the rest of Crawford's riotous cast. At this story's beginning, a meeting notice from the state water agency, posted at the local store, seems to portend an imminent threat to the valleys precious acequias. But perhaps more ominous--at least to the paranoid Clapp--is the possibility of the outside world meddling with the isolation, blissful or not, of this remote Hispanic plaza town. As the time of the meeting looms, we follow the characters through the day and become immersed in a place unnervingly familiar to anyone who has lived in Northern New Mexico. Crawford spares no one from his acerbic wit and skewering prose, yet there remains an unmistakable affection for the marvelously dysfunctional community and the very faults that he so eloquently parodies. As the tale unfolds, we dread the incipient threat from outside the valley less and begin to hope that something will deflect the downward spiral every character seems doomed to follow--but nothing anticipates or prepares us for the denouement that Crawford skillfully delivers, leaving us punch drunk with mirth.
Book
The paint brush kid
Nine-year-old Gregory paints pictures representing the life of the Mexican American old man known as Uncle Pancho and attempts to save him from losing his house.
Book
The Skull of Pancho Villa and Other Stories
A stirring collection of short stories from the master of Chicano noir.
eBook